Hello, again, everyone. It’s a day late, but this week’s update is quite sizable. A lot of good things happened last week, but I'm only going to report one step at a time. We had another small rehearsal on Thursday, March 19th, up at Arcani HQ in Casselberry. There, we went through some lighting setups and I worked on smoothing over a scene we are to shoot this week. Ian Davis has since been promoted from “unofficial documentarian” to the grand title of --wait for it-- “official documentarian”. It only took 1.56 billion rubles to win him over. We are so happy to have his support and, obviously, his beautiful photography. He does both b&w and color, as you will see. Ian stopped in to take some photos of our progress during this busy time, and you will see his work below.
Jeremy and I are white balancing. . .with
feeling.
Me, taking direction.
"How do you hold this thing, again?"
Kyle Smithy is a great PA. He's also an extra.
Jeremy is a meticulous cinematographer.
Mise-en-scène.
Jeremy is pleased with Kyle's impromptu boom impaling.
We assure you that the boom is not in the shot.
"Doesn't this thing use VHS-C?"
Some gear. Quilt not included.
"Hi, Ma. May I call you back?"
Ghosts.
Lighting is everything.
Enjoy the
noir while you can.
Monster Claw attacks!
More gear.
We have a Panasonic AG-DVX100 series.
Even directors have to sit.
Another angle.
Double duty.
The camera is a better actor.
Jack-of-all-trades.
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